Moreover, some of the events in the show mirror real horrors marginalized groups have faced, such as the Air Nomad genocide reflecting the Tibetan genocide at the hands of China.ДЄs a Han Chinese American (by way of Taiwan and Vietnam), IвЂ™m in a position where I have faced racism and colonization while simultaneously benefitting from my own peopleвЂ™s imperialism on countries and ethnic groups across Asia. In particular, I voiced my concerns with the bastardization of Asian cultures to serve a white audience and its reductionist stance on colonialism, portraying it as extremism on вЂњboth sides.вЂќ This especially does a disservice to real people whose cultures the show is based on, as it presents a narrative that places them at fault for their ongoing oppression. I briefly addressed the issue of Orientalism in Avatar in my previous blog post about Asian representation in animation and its depiction of a colonial nation through a Western lens. The latter response raises the pressing topic of Asian Americans exercising creative control over representation of their own cultures, and slightly acknowledges the long-running concerns of white showrunners creating an Asian fantasyland. Many fans of the original Avatar show voiced their frustrations with Netflix for refusing to adhere to the original showrunnersвЂ™ creative decisions, and others hoped an Asian American crew would take over the project. 'If only I could have helped you.' Moments like these are why Avatar: The Last AirbenderВ continues to stand the test of time.The news of Bryke leaving the Avatar: the Last Airbender Netflix project in August received mixed responses across social media. The tale ends with Iroh making a small shrine for Lu Ten under a large tree on a hill.

'The Tale of Iroh' opens on the story's titular protagonist as he walks into town to purchase a picnic basket for 'a special occasion.' Along the way, Iroh runs into several city dwellers and helps them out in times of hardship. One of the best examples is 'The Tale of Iroh,' which itself is one of six vignettes from a beloved Book Two episode called 'The Tales of Ba Sing Se.' As the show illustrates, a big reason why Uncle Iroh cares so much about Zuko is because he reminds him of his own son Lu Ten, a soldier for the Fire Nation army who was tragically killed during his father's famous 600-day Siege of Ba Sing Se. These and other characters help develop Aang into the lovable young hero that we know him as today.ДЄvatar: The Last AirbenderВ also includes its fair share of emotional moments, especially in the show's latter two seasons, when the main characters are established and the stakes become higher.

The winged lemur Momo, on the other hand, is comparatively more playful, but still has a special connection to both Aang and Appa. Aang's loyal sky bison companion Appa servesВ not only as the primary form of transportation for Team Avatar but also as Aang's spirit guide. Toph, an earthbender who is not introduced until early into the second season, is a young blind girl who can see through earthbending and, as a result, is even more of a force to be reckoned with.Д®ven the show's two main animal sidekicks are fascinating characters. Sokka, the most prevalent comic relief character of the main cast, is not a waterbender like his sister but has proven time and time again that he is great warrior and an even better tactician. Katara, the show's supporting female lead, showcases a very motherly demeanor throughout the series, which mostly stems from the traumatic loss of her mother at a very young age.

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